26 September 2013

SQUILT Set 2, #2 - "Every Storm (Runs Out of Rain)"



Title: "Every Storm (Runs Out of Rain)"
Artist: Gary Allan
Genre: Country

Notes: Country music is characterized by simple harmonies and forms, and this song would fit that description. Country music began in the southeastern United States and combined folk styles with emerging popular styles. In particular, Nashville, TN - the capital of Tennessee and a city close to where I went to college - is considered a main location for the country music scene. Many people back in Tennessee joke about country music as always being about depressing things, but this particular song is somewhat more "upbeat" and hopeful - although I do not know from what faith background Gary Allan is writing and where he gets the assurance that he sings about in this song.

Related Artists: Blake Shelton, Rodney Atkins, Josh Turner, Brantley Gilbert

**Disclaimer: While I believe that all of the SQUILT music chosen is appropriate for classroom use, some songs may not completely align with a Christian worldview. Songs done by related artists are also not guaranteed to be in line with the values of a Christian worldview. Parents should help their children develop discernment in this area.**

25 September 2013

Wake Me Up



"Wake Me Up"
Feeling my way through the darkness
Guided by a beating heart
I can't tell where the journey will end
But I know where to start

They tell me I'm too young to understand
They say I'm caught up in a dream
Well life will pass me by if I don't open up my eyes
Well that's fine by me

[2x]
So wake me up when it's all over
When I'm wiser and I'm older
All this time I was finding myself
And I didn't know I was lost

I tried carrying the weight of the world
But I only have two hands
Hope I get the chance to travel the world
But I don't have any plans

Wish that I could stay forever this young
Not afraid to close my eyes
Life's a game made for everyone
And love is the prize

[2x]
So wake me up when it's all over
When I'm wiser and I'm older
All this time I was finding myself
And I didn't know I was lost

Didn't know I was lost
I didn't know I was lost
I didn't know I was lost
I didn't know

Interpretation

After several times listening to this song, I couldn't help but feel like this was a modern version of a story I had heard before. I kept thinking about it, and then I watched the video and it all fell into place: I see "Wake Me Up" as a retelling of the old, old account often known as "The Prodigal Son."  

The main character of "Wake Me Up" seems to give up on the feedback of others, somewhat poking fun at them (as I hear it) by saying, "All this time I was finding myself / And I didn't know I was lost." Whereas others want this person to take responsibility and have a plan, he/she is more caught up in dreaming than actually making a plan.

There are definitely two angles that I can see in approaching this story:
First of all, the video reveals elements that doesn't come through as strongly in lyrics - that is the cruel stares and lack of acceptance that the main character experiences from the town people. That terrifies me a little, because I fear it could be an all-to-real representation of many places that wave a banner of being a "church" (though I'm not sure the artist was going this direction). Whether thinking about the church or just people in general, though, I think this is a poignant display of how people can get stuck in their ways, create an environment of exclusion, and refuse to show love to those who are different. This is especially close to my heart as an educator who spends his life working with people younger than him who need to be loved as they work through who they are and how they're different from others.

In response to the suffocating conditions of the town, the main character rides off to the bigger city (maybe a small town vs. big city stereotype at work here?) where they are able to find people bearing the same "mark" as them. Instant acceptance - they all go off and party together! Having grown up in a small town but now experiencing life in some pretty large cities, there can be elements of truth to people who have only lived in one, small place being oblivious to the rest of the world. But then, there are many positives in the small town lifestyle too and people who don't fit into that category - this is the challenge of stereotypes.

Now, with those realities on the table, here is another angle: the only acceptance we're shown is that she has a group of people she can party with. It really makes me think back to that other story - "Not many days later, the younger son gathered together all he had and traveled to a distant country, where he squandered his estate in foolish living" (Luke 15:13 HCSB).

So on the one side, we have a youthful perspective this is justified to go against what could very well be overly-righteous and/or narrow-minded condemnation from those around them... but then, at the same time, I would ask of this person: "What if they end up being right?" In our old story, while the son is partying it up, we read that "... a severe famine struck that country, and he had nothing" (Luke 15:14 HCSB). Could it be you didn't know you were lost because there is a wisdom that comes with age, and you just don't have it yet? What if you are more lost than you think you are?

These are the complexities of this song, and I think no matter what angle you approach it from it allows for questions that deserve answering by all of us: Where do we most belong? Where are we going? Who or what is "guiding us through the darkness"? Are we lost or not? And is it possible we could be lost without even knowing we're lost?

8 Questions
1. Is there anything good I can hold on to from this song? The lyrics of the first stanza are well-written words to remind us that we are all on a journey. And in one sense, I don't know where my life's journey will end or where I will be. In another sense, though, as a follower of Jesus Christ, my hope rests in Biblical assurance that my journey ultimately ends in new life with him in and in his likeness.

2. Is there anything true, noble, right, pure, lovely, admirable, or praiseworthy in this song? At best I could maybe say the idea that "love is the prize" for our lives is something true from this song, The danger with that is that 1) I disagree with the preceding lyric ("life is a game for everyone") and 2) I'm pretty sure the love I have in my mind as the end prize of life is radically different from anything the songwriter was thinking of.

3. When I listen to this song, does my thinking become conformed or transformed? It depends on my mood when I listen to it. At times this just makes me frustrated in our human condition that we always seem to know what is best for ourselves and just want to wander away in pursuit of the whims of that moment. On the other hand, with the right mindset, this song really transforms my thinking to remember the picture of God (as the father) running after his son when he returned from foolish living. It also transforms my thoughts to want to be someone there for people to show them the light of the Gospel that's in me so that they don't have to "feel their way through the dark." I don't want to just be another judgmental voice but rather one who listens deeply and loves deeply.

4. Does this song cause me to set my mind on things above or on earthly things? This song is addressing an earthly struggle with little regard to any spiritual dynamics that might be involved.

5. Is this song leading me to feel anger, rage, malice, or slander? No - except that it really frustrates me that the video only shows the main character "belonging" in a party scene. I can't help but wonder how that all plays out for her when the music stops and the party is over... Lost, maybe? But then, she, of course, wouldn't see it that way.

6. Does this song contain filthy language or encourage me to use filthy language? No.

7. Is this song calling me to pursue youthful passions? There could be an argument that this idea of rebelling out into self-discovery would be a youthful sort of trend, and the lyrics are certainly focused on someone who is looked down upon for their actions associated with their age. At the same time, feelings of not belonging can run universal no matter the age. Either way, I don't really hear that the song is calling people to pursue immaturity but more offering a perspective to hear and consider.

8. Can I listen to this song in the name of Jesus, giving thanks to God the Father through him? When it's all said and done, I could listen to this song in the name of Jesus, considering words that Jesus spoke into this sort of situation and possibly with hope for my own ending - either that the person does realize they were lost, repents, and returns home or that the surrounding people become less righteous and narrow-minded (or in reality, probably a mix of the two!) With that being the case, it won't bother me to hear this song - it's certainly catchy enough - but I probably won't choose to listen to it.

Music
This song achieve an interesting juxtaposition of folk and electronic styles. From the beginning, we hear guitar played in a mix of strums with finger picking (reminiscent of a banjo to me). As the vocals come in, that continues with an upbeat, offbeat pattern - again, all folk-type sounds to me. Afterwards, we're led by some more electronic sounds into the bridge section, where a rhythmic pattern that someone else described as a "jig" (I would agree). It's a nice use of straight, subdivided sixteenth notes combined with the offbeat sixteenth notes in the fourth beat of the first measure. The effect is a nice liveliness to the music and, I suppose, the party-like quality that we see in the video.

In closing, I'm not entirely sure why, but as I dug deeper into this song, another song kept coming to my mind. This song is also about a journey of self-discovery and wanting the acceptance of others (but maybe not getting it). Whereas "Wake Me Up" fails to really call the listener up to anything beyond the temporary, I feel that "Legacy" takes some of the same material but beautifully calls us to a much greater picture.

12 September 2013

SQUILT Set 2, #1 - "He is Coming"


Title: "He is Coming"
Artist: Christafari
Genre: Reggae

Notes: The leader of the band "Christafari," Mark Mohr, grew up as a drug-addicted teenager who traveled to Jamaica and became a member of the "Rastafari movement" - a false religious group based out of Jamaica. When he was 17, Mohr gave his life to Jesus after attending a youth camp in the United States. Within two weeks of that decision, Mohr performed his first reggae gospel song - using the style out of Jamaica with which he had become so familiar. Now, Mohr and his band's mission is to use music similar to what a Rastafarian would listen to, except their songs talk about truths from Christianity.

Related Artists: Jared Anderson, Michael Gungor, Darrell Evans, David Brymer

**Disclaimer: While I believe that all of the SQUILT music chosen is appropriate for classroom use, some songs may not completely align with a Christian worldview. Songs done by related artists are also not guaranteed to be in line with the values of a Christian worldview. Parents should help their children develop discernment in this area.**

11 September 2013

Titanium




Analysis Method: "8 Questions"
Lyrics

You shout it out,
But I can't hear a word you say
I'm talking loud not saying much
I'm criticized but all your bullets ricochet
You shoot me down, but I get up

I'm bulletproof, nothing to lose
Fire away, fire away
Ricochet, you take your aim
Fire away, fire away
You shoot me down but I won't fall
I am titanium
You shoot me down but I won't fall
I am titanium

Cut me down
But it's you who'll have further to fall
Ghost town and haunted love
Raise your voice, sticks and stones may break my bones
I'm talking loud not saying much

I'm bulletproof, nothing to lose
Fire away, fire away
Ricochet, you take your aim
Fire away, fire away
You shoot me down but I won't fall
I am titanium
You shoot me down but I won't fall
I am titanium
I am titanium
I am titanium

Stone-hard, machine gun
Firing at the ones who run
Stone-hard as bulletproof glass

You shoot me down but I won't fall
I am titanium
You shoot me down but I won't fall
I am titanium
You shoot me down but I won't fall
I am titanium
You shoot me down but I won't fall
I am titanium
I am titanium

Interpretation
If I was just listening to this song without watching the video, I would assume that it is trying to make some sort of statement about how we need to rise up through our tough situations and show the world what we can do. 
 
When I watch the video, I say that this song is just telling a story.

Depending on which of those two we take, I get somewhat different meanings from the song, and it very much affects what I take away from it. I will focus on the video in answering the 8 questions but also try to include elements of the other.

1. Is there anything good I can hold on to from this song?  From a Biblical perspective, I can see some truth to the line "Cut me down but it's you who'll have further to fall." In 1 Peter 2 there is a teaching to slaves that they should obey their masters whether they are good and gentle or cruel. Peter sites Jesus as the example for this: "when He was reviled, he did not revile in return; when he was suffering, he did not threaten but entrusted himself to the One who judges justly." 
 
The tone of these lyrics -  confirmed by the video - is all about confrontation. A lot of the confrontation seem to come from other people, and I get the impression this is probably the story of an outcast who is often the target of bullying. Still, from the lyrics I don't see that the kid is backing down at all; what I read is that he essentially says, "Bring it!" This is not helped by the line "I'm talking loud not saying much." No matter how much he's gone through or been made fun of, it is not right for him to take an attitude of indifference or even retaliation. Despite all this, I can still hold onto the basic idea: as challenges come and people oppose me for being who I believe God made me to be, they are ultimately the ones who will have to be accountable. Jesus' teaching is also clear that we must forgive if we hope to be forgiven (Matthew 6:14-15).


2. Is there anything true, noble, right, pure, lovely, admirable, or praiseworthy in this song? I'm not sure that I really see anything that fits these categories.

3. Does this song encourage me to conform more to the patterns of this age? If the main character's attitude is an influence to me, then yes, I think the song does. In the video, we see the character has superhuman powers, and by the repeated expression "I am titanium," I see him elevating his invincibility. Sure, he has been through some hard times (I know that I'm reading that element into the lyrics, but it is the common angle by which these sorts of stories are approached), but I don't hear a trace of humility in the words. As I hear this song, I want to stand taller and hold my chest out a little, thinking that I can take on the attitude of the character, which as I said before, seems to tell the world to "Bring it!"

This attitude, though, is in direct opposition to the attitude that followers of Jesus are called to. Even a cursory look at Philippians 2 will present a shocking contrast: he who truly was a "superman" so to speak did not come onto the world scene and defiantly cry, "Bring it!" Instead, he took on a form of humility - a humility that ultimately led to his death.

Besides the aspect of the character's attitude, I can't help but think of Friedrich Nietzsche's "Übermensch" when I watch the video. I would never claim to be an expert in Nietzsche's philosophy, but from the teachings I've heard before, Nietzsche's original writings have been used many times by others to theorize that there is or will evolve a race of man that is superior to all others. That sort of thinking is without question a "pattern of this age."


4. Does this song encourage me to set my mind on things above or on earthly things? The story of this song doesn't give any consideration to a spiritual element in the situation - and why would it? If we are going down the path of the"Übermensch," then we are living in a world where Nietzsche said "God is dead." If I place myself inside the video and start to travel down its implications, then I quickly have no need for the spiritual, since life is all about us and the various powers that we have.

5. Is this song leading me to feel anger, rage, malice, or slander? This depends on what angle you take with this song. I admit that it's possible the kid just lost control of his power, and that's what we see with the destroyed school at the beginning of the video. But then,  more likely based on the lyrics, we are looking at a kid who unleashed on a school because of being bullied. That would mean that there is a lot of anger, rage, and malice in this song. I would especially see malice in the "Cut me down but it's you who'll have further to fall" (see the answer to #1 for how this is different from the Biblical standpoint).

What's interesting is that this song is not musically constructed to be an "angry" sort of song. That is why I primarily feel the emotions of defiance and pride. There is a sort of controlled yet uncontrolled confidence based on the melody and instrumental buildup. Regardless of which it is, none of those emotions fit in line with the responses that Jesus calls his followers to. And again, as we read in Philippians, he was able to call his followers to different responses because he himself triumphed through humility rather than through power.

6. Does this song contain filthy language or encourage me to use filthy language? No - I would say that the language of the song is clean.

7. Is this song calling me to pursue youthful passions?  I don't really see the events and message of this song as youthful passions. I think of youthful passions as something that a person pursues. In this song, I get more of an impression about what is pursuing the main character.

8. Can I listen to this song in the name of Jesus, giving thanks to God the Father through him? After thinking through these questions, there are two different viewpoints by which I can think of this song. Strictly speaking on the level of the song lyrics and video, I don't see much redemptive value in it(being able to glorify God for his work in the world despite of and through the conditions of the world).

If this song is just telling a story, then we don't really get a clear picture of where the story is going. Maybe the character has suffered some difficult times, but we don't see that he has come around to any good from it - other than maybe pride and resilience, both of which (Biblically speaking) are downfalls when applied to the wrong context - which I would say is the context of the song.

If the video was not the main focus of the song and we just consider the lyrics, then I'm not left with a much better picture of what the song is trying to communicate. If the artists want me to just consider the attitude of the song by itself, I can't really approve of it from Biblical grounds. If this is an attitude I am to consider taking on for myself, then just as bad - as I would say it clearly defies Jesus' reminder that: "Apart from me you can do nothing" (John 15).

However, I have to say that I do like the music of this song. The first time I heard it was from The Piano Guys, and I was immediately drawn to the melodic line and harmonic progression (especially as it was juxtaposed with Gabriel Fauré's "Pavane"). The calm, arpeggiated chords at the beginning lead nicely into the opening vocals (which in the case of The Piano Guys allows the cello to "sing" well enough) - which are repetitive and effective in its use of steps and leaps in the notes.

At the bridge section, I like how the texture clears a little and initiates a slow crescendo (both through volume and texture) leading to the interval (distance between two notes) of a minor 6th at "I am titanium." It is somewhat haunting and captivating to me. 

Rhythmically speaking, the artists knew what they were doing with the concept of "arsis/thesis" - the idea of flow in music, with weak beats leading to strong beats. Most of the lyrics start somewhere around beat 3 (often on the beat, sometimes off the beat), and by keeping the rhythms simple, there is a strong pull towards beat 1, which the artists then maximize by their choice of note.

As I analyze more and more music, my opinion may change, but for some reason (I can't even completely define it), I find a certain uniqueness to this song. For that reason, I can see myself continuing to appreciate the instrumental version by The Piano Guys and praising God for what I find to be a well-written pop song.

Here is the link to The Piano Guys playing Titanium:


05 September 2013

SQUILT Set 1, #4 - "The Battle"



Title: "The Battle" from the soundtrack to The Chronicles of Narnia: The Lion, the Witch, and the Wardrobe
Composer:Harry Gregson-Williams
Genre: Soundtrack

Notes: Soundtrack music has become a popular form for "classical" music to continue to develop. Film composers have difficult work that involves watching the film, working with the director, and being able to imagine what sort of music would fit with the music. Although the music is written to fit certain parts of a movie, many film scores are such good music on their own that versions are made for orchestras to perform during their concerts (sometimes while showing scenes from the movie and sometimes just playing the music itself).

Related Artists: John Williams, Howard Shore, Hans Zimmer, Alan Silvestri

**Disclaimer: While I believe that all of the SQUILT music chosen is appropriate for classroom use, some songs may not completely align with a Christian worldview. Songs done by related artists are also not guaranteed to be in line with the values of a Christian worldview. Parents should help their children develop discernment in this area.**